Simulations de film Fujifilm
Fujifilm a créé 20 simulations de film depuis le X100 en 2011, mais aucun appareil ancien ne les a toutes. Voici le rendu de chacune, les appareils qui la proposent, et la fidélité de RAF Film Lab au rendu de l’appareil lui-même.














Quelles simulations de film mon appareil propose-t-il ?
Chaque appareil avec son dernier firmware. Un RAF ne contient pas de film : les lacunes ne sont donc pas définitives, car RAF Film Lab applique chaque film aux RAF de tous les appareils présentés ici. Acros et Monochrome comptent chacun pour quatre, avec leurs filtres.
| Appareil | Films | Provia | Velvia | Astia | Cl. Chrome | Cl. Neg | Nost. Neg | Reala Ace | PN Hi | PN Std | Eterna | Bleach Bypass | Acros | Mono | Sepia |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Série X-T | |||||||||||||||
| X-T30 III | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-T50 | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-T5 | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-T30 II | 18 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-T4 | 18 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-T30 | 16 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ |
| X-T3 | 16 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ |
| X-T20 | 15 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ |
| X-T2 | 15 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ |
| X-T10 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X-T1 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| Série X-S | |||||||||||||||
| X-S20 | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-S10 | 18 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Série X-E | |||||||||||||||
| X-E5 | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-E4 | 18 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-E3 | 15 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ |
| X-E2S | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X-E2 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X-E1 | 10 | ✓ | ✓ | ✓ | Non– | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| Série X-H | |||||||||||||||
| X-H2S | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-H2 | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-H1 | 16 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ |
| Série X-Pro | |||||||||||||||
| X-Pro3 | 17 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ |
| X-Pro2 | 15 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ |
| X-Pro1 | 10 | ✓ | ✓ | ✓ | Non– | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| Série X-M | |||||||||||||||
| X-M5 | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X-M1 | 10 | ✓ | ✓ | ✓ | Non– | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| Série X100 | |||||||||||||||
| X100VI | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| X100V | 17 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ |
| X100F | 15 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ |
| X100T | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X100S | 10 | ✓ | ✓ | ✓ | Non– | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X100 | 8 | ✓ | ✓ | ✓ | Non– | Non– | Non– | Non– | Non– | Non– | Non– | Non– | Non– | ✓ | ✓ |
| Série GFX | |||||||||||||||
| GFX100RF | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| GFX100S II | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| GFX100 II | 20 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| GFX50S II | 19 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| GFX100S | 19 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| GFX100 | 19 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| GFX 50R | 17 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ |
| GFX 50S | 17 | ✓ | ✓ | ✓ | ✓ | ✓ | Non– | Non– | ✓ | ✓ | ✓ | Non– | ✓ | ✓ | ✓ |
| Compacts et entrée de gamme | |||||||||||||||
| X-T200 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X-A7 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| XF10 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X-T100 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X-A5 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X70 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
| X-A3 | 11 | ✓ | ✓ | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ | Non– | Non– | Non– | ✓ | ✓ |
La fidélité de chaque film à l’appareil
Mesurée sur 31 RAW de X100VI par rapport aux rendus de l’appareil lui-même via X RAW STUDIO. Les films couleur sont évalués en CIEDE2000 (ΔE), le noir et blanc en écart de luminosité (L*), sur les zones uniformes de chaque image. Notre méthode de mesure.
| Film | Médiane | Moyenne | Premier appareil |
|---|---|---|---|
| Provia | 2.06 ΔE | 2.43 | le FinePix X100, en 2011 |
| Velvia | 2.39 ΔE | 2.92 | le FinePix X100, en 2011 |
| Astia | 2.06 ΔE | 2.48 | le FinePix X100, en 2011 |
| Classic Chrome | 2.01 ΔE | 2.51 | le X30, en 2014 |
| Classic Neg | 2.76 ΔE | 3.40 | le X-Pro3, en 2019 |
| Nostalgic Neg | 2.59 ΔE | 2.95 | le GFX100S, en 2021 |
| Reala Ace | 2.01 ΔE | 2.45 | le GFX100 II, en 2023 |
| Pro Neg. Hi | 2.36 ΔE | 2.63 | le X-Pro1, en 2012 |
| Pro Neg. Std | 2.19 ΔE | 2.49 | le X-Pro1, en 2012 |
| Eterna | 2.10 ΔE | 2.44 | le X-H1, en 2018 |
| Eterna Bleach Bypass | 2.03 ΔE | 2.62 | le X-T4, en 2020 |
| Acros (+Ye, +R, +G) | 1.45–1.49 L* | 1.89–2.02 | le X-Pro2, en 2016 |
| Monochrome (+Ye, +R, +G) | 1.40–1.45 L* | 1.85–1.98 | le FinePix X100, en 2011 |
| Sepia | 1.43 ΔE | 1.82 | le FinePix X100, en 2011 |
Questions
Combien de simulations de film les appareils Fujifilm proposent-ils ?
Vingt, en comptant Acros et Monochrome avec chacun leurs filtres jaune, rouge et vert, plus Sepia. Seuls les appareils les plus récents les ont toutes : les boîtiers plus anciens en ont entre 8 et 20, selon leur génération et leur firmware. RAF Film Lab applique les vingt à n’importe quel RAF.
Quelle est la plus récente simulation de film Fujifilm ?
Reala Ace, apparue sur le GFX100 II en 2023. 12 appareils la proposent : X-T30 III, X-E5, GFX100RF, X100VI, X-T50, X-M5, GFX100S II, X-S20, GFX100 II, X-T5, X-H2S et X-H2.
Puis-je ajouter une simulation de film à un ancien appareil Fujifilm ?
Pas à l’appareil : seul Fujifilm peut ajouter des films, par firmware, et il le fait rarement sur les anciens boîtiers. Mais un RAF ne contient pas de film : un logiciel peut donc lui appliquer n’importe quel film après coup. RAF Film Lab applique chaque film aux RAF de tous les appareils de cette page.
Lightroom propose-t-il les simulations de film Fujifilm ?
Lightroom dispose de profils Correspondance appareil photo qui les imitent, proposés selon l’appareil. Ils n’appliquent pas le reste d’une recette, comme l’effet grain, Couleur Chrome ou la plage dynamique. Voir le comparatif.
Vous comparez les éditeurs ? Voyez RAF Film Lab face à X RAW STUDIO, Lightroom et Capture One.
